FR33 J4ZZ (2023)

Electromechanical sound installation. Motorized trombone (fully automated) with flex-tubes and centrifugal blowers.

Duration: 4'30''. 

» A machine trying to perform like a jazz musician. The machine pretends to be free and human-like in its artistic expression, but is beeing drowned out by mechanical noises and calculated musicality. «

Ectoparasitism II (2022)

Electromechanical sound installation. Motorized cello (fully automated).

Duration: approx. 30'. Concert version: 8'.

» Like a host/parasite relationship among animals, the cello in this piece is invaded by motors and electronics. The result is an unconventional cello sound and a conceptual set-up of autonomous aesthetics. «

Combiversion [FLDVN] (2022)

For recorder and violin

Duration: 2'30''

» A simple archetype musical structure is scored for different instruments. In this version it is played simultaneously by a prepared recorder and violin witthout any visual contact by the musicians. The result is a kind of sloppy unisono. An involuntarily polyphony appears. «

Speilgran (2021)

For organ

Duration: 6'30''

» Based on a scenario from 'The Snow Queen' by H.C. Andersen.

A magic mirror created by the devil distorts everything and only reflects the bad and ugly things. The mirror is dropped from the sky and shatters into billions of pieces floating around in the world. «

Apparatus Lacrimalis (2020)

For sinfonietta (14 musicians) and choir (SATB)

Duration: 8'40''

» 'Apparatus Lacrimalis' is the medical term for the physiological system producing tears. This piece illuminates the ambiguity of weeping as both an emotional and a purely mechanical function. Excerpts of music and litteratur by Dowland, Bach and Ovid. «

Rotor (2019)

For alto flute, alto saxophone, percussion,

guitar and objects

Duration: 9'00''

» This piece describes the concept of rotation. Both as a physical/mechanical temporally, spatial and psychological phenomena. By heavy use of motorized and mechanical objects the 4 instruments are disolved into a new instrument. «

Automateria (2018)

For sinfonietta (14 musicians)

Duration: 17'00''

» The notion of autogenerated matter set into music. The piece evolves as a series of causal insidences. Outbursts of percussive noise trickers structures of mechanical repeated textures.  «

Introduktion und Motoren (2017)

For flute, violin, violincello. piano and motorized/

mechanical percussion-objects (4 performers)

Duration: 8'50''

Tableau Vivant (2015)

For amplified guitar

Duration 7'30''

Structon Icon (2014)

For amplified (de)constructed instruments

(3 performers)

Duration: 6'30''

Point's d'Orgue (2014)

For organ and castanets (1 performer)

Duration 6'30''

APART (2012)

For separated, modified and amplified violin

(4 performers)

Duration: 5'40''